Table Of Content
- ‘The Eight Mountains’ Review: A Stirring, Sprawling, Epic and Intimate Tale of Friends in High Places
- Storyline
- More From the Los Angeles Times
- Emma Stone, Nathan Fielder and A24 to Produce ‘Checkmate,’ Ben Mezrich’s Chess Scandal Story
- Interview: Felix Van Groeningen and Charlotte Vandermeersch on The Eight Mountains
- Family
- The 13 best novels (and 2 best short story collections) of 2023

So poor Pietro leaves all over again, travelling in Nepal and becoming a celebrated writer, but consumed with the thought that his friendship with Bruno was the best of him – and Bruno was in some elemental sense the better man. The Aosta valley is depicted with magnificent sweep, and van Groeningen and Vandermeersch find a stratum of sadness under it, a kind of water table of tears. Some real mountain climbing is done in "The Eight Mountains," and some of the footage is awe-inspiring. The men go on hikes, stalking across the trails at the top, abysses opening up on either side. Bruno is comfortable in the mountains—he couldn't live anywhere else—and Pietro, whose workaholic dad really only came alive when he went on mountain hikes, becomes one of those wanderlust backpackers flooding into Tibet. The scene is especially moving because even by this point, fairly early in a picture that runs almost 2 ½ hours and spans a few decades, you already have a good understanding of who Pietro and Bruno are, how they live, what they long for.
The Eight Mountains Trailer: Cannes Winner Tells a Story of Rekindled Friendship with Epic Scope - The Film Stage
The Eight Mountains Trailer: Cannes Winner Tells a Story of Rekindled Friendship with Epic Scope.
Posted: Fri, 07 Apr 2023 07:00:00 GMT [source]
‘The Eight Mountains’ Review: A Stirring, Sprawling, Epic and Intimate Tale of Friends in High Places
A concert pianist and professional chef, she really gets into entertaining. Whether it be a small gathering of friends or the whole family, she thinks a lot about the occasion and the ambiance. Our goal was to create thoughtful, flexible spaces that would provide creative possibilities for any setting. Once your eyes meet the spaces she conjures up, you will be hooked! She’s definitely one of the most popular Charlotte interior designers. Originally founding her interior design firm in 2003 in NYC, she later moved to Charlotte and has never left.
Storyline
Bruno is a confident, physically vigorous child who can scale the side of a stone building like a goat scampering up a rock face. He’s being raised by his aunt and uncle — his mother is missing in action, his father works abroad as a bricklayer — and is the only child in his village, its population having dwindled, as in other rural areas, to a ghostly near-dozen. But what finally lifts “The Eight Mountains” above those earlier films is a generous, gently unassuming worldview — one that grants everyone their space and their struggles, and that never turns characters into easy symbols or reduces relationships to obvious tensions.
More From the Los Angeles Times
When one of us said, “I believe in this,” then there’s something there that’s really valuable. We were happy, the producers were happy, and Felix suddenly proposed to direct the whole thing together. Have faith.” It was this big journey for us as a family, going to Italy with our son and making it a very shared experience, not [Felix] leaving us for a year and a half.
Time is given to allow us to soak up the atmosphere, and to get to know the familiar slopes in different weathers, at dawn, dusk, winter, and summer. Music plays almost throughout, sometimes a long keening note, with muffled percussion underneath, creating an eerie, lonely feeling. They're made up of time spent, of being mindful and thoughtful towards your friend and ensuring to stay in touch, even with the distance between them. Memory looms large in “The Eight Mountains,” nearly as large as the craggy peaks that fill the frame and offer a misleading explanation of the movie’s title (which it shares with its source material, a 2016 novel by Paolo Cognetti).
Felix van Groeningen and Charlotte Vandermeersch Interview
In the Grana dialect, Bruno says, the phrase “it seems long” communicates a feeling of sadness. “The Eight Mountains,” at nearly two-and-a-half hours, is long and it is often sad. But it is also joyful and grateful and wise, with an emotional heft that mounds in the middle, after the jagged incline of Bruno and Pietro’s youth, peaking at their reunion and then, with many a backward glance, embarking at a more languid, thoughtful pace on the long journey home. Stately and serene from a distance, but up close riven with the fissures and follies of a friendship that costs both men so much but gives them even more, the movie, too, is a mountain. But the symmetries that Van Groeningen — director of the eviscerating “The Broken Circle Breakdown,” here co-directing with partner and collaborator Vandermeersch — find in this decades-long sprawl are gentle and unforced.
Charlotte wanted to further develop her design skills and received her graduate degree in Interior Design and Architecture from the Parsons School of Design with honors. She also spent time working for the esteemed interior design firms Pembrooke & Ives and David Scott Interiors. Being around since 2010, their signature style is all about emphasizing color and fresh patterns. They want to influence spaces while helping people feel the space and what it’s all about. This native has essentially been considered the “face of interiors in Charlotte.” This is also literal as she’s been on the front cover of Charlotte Magazine for two consecutive years.
Family
Vandermeersch pointed out that it’s a multilayered story spanning over 30 years in which the viewer witnesses different phases in the life of these two friends. This room sings “springtime”with shades of blue, muted pinks, pops of green, and lots of sunshine. Lucy and Company’s Beth Conant-Keim shares with us a glimpse into her favorite room design, along with how this family room was inspired and came together with a calming mixture of materials. Charlotte Lucas shares with us a glimpse into her favorite room design, along with how this master bedroom was inspired and came together with endless pattern play. We asked several local designers to share their favorite rooms with us.

The 13 best novels (and 2 best short story collections) of 2023
My dining room brings my love of the world to my home with the custom-designed Paul Montgomery wall panels. It defines my wanderlust and desire to be in exotic, faraway places. The magical mix of flora and fauna that would never be found together in nature delights me. The English Room’s Holly Phillips shares with us a glimpse into her favorite room design, along with how her dining room was inspired and came together with a magical mix of flora and fauna.
But, she also balances this out beautifully by adding new-age designs to her work. This is the perfect representation of the balance that the city of Charlotte has. Recently having some high-profile clients has been the highlight for Geri from Freespace Design and her portfolio.
Like Robin Williams in the Woody Allen film, blurred outside of the cameras even when he goes home, I feel a flush of existential humiliation creeping up. I spoke with Van Groeningen and Vandermeersch shortly before The Eight Mountains opened theatrically in the United States. Our conversation covered where they divided duties on the set of the film, how they translated Coginetti’s novel into cinematic terms, their approach to music, and what the film means for them both personally and professionally. Traci Zeller shares with us a glimpse into her favorite room design, along with how this classic chic “garden room” was inspired and came together.
Indeed, the physical resemblance of the younger actors to their adult opposites suggests the casting may have been the other way round at some point. If so, the change is inspired, given the wonderful subtlety Marinelli brings to the role of Pietro, so different from his eye-catching turn in “Martin Eden.” Here, he’s the soulful, uncertain, meandering yin to Borghi’s compact, practical yang. Their moments of connection are moving in their understatement, as when adult Bruno calls adult Pietro by his childhood nickname for the first time, across the roof slates of the hut they’re building in quixotic remembrance of the latter’s father.
You may occasionally receive promotional content from the Los Angeles Times. Van Groeningen noted that Marinelli and Borghi played friends before in Claudio Caligari’s gritty “Non essere cattivo” (“Don’t Be Bad”) which went to Venice in 2015. It was a time to sit back and reassess your way of living; our way as human beings on the planet to find new respect for the earth. The directors wrote the script during lockdown and both say it was “really nice” to be in the Alps and in Nepal, which are the film’s two main locations, at that particular time. This “trip that we made in our fantasy to these corners of the world during lockdown” seeped into the film, Vandermeersch noted.
He meets Bruno (Cristiano Sassella), the self-described “last child in the village,” and through herding cows and clambering on rocks and splashing in clear mountain lakes, the two 11-year-olds bond quickly, despite radical differences in background and temperament. It’s not just quiet, polite Pietro who becomes fiercely attached to sturdy, capable Bruno. Once Pietro’s blustery factory-manager father (Filippo Timi) arrives to indulge his passion for mountaineering, the boy’s parents both take to Bruno too, so much so they offer to bring him back to Turin with them for schooling.
In the summer of 1984, Pietro, an 11-year-old from Turin, and his mother Francesca rent a house in a village called Grana in the Italian Alps. There they meet Bruno, the last kid remaining in the village; estranged from his parents, he lives with his uncles and aunt. Months later, Pietro's father Giovanni arrives as well and the trio go on a hike. One day, Bruno informs Pietro that Pietro's parents have offered to adopt Bruno so he can go to school in Turin, and his uncle has agreed. Pietro, has a complex reaction to this idea which he identifies as believing Bruno should not be uprooted from his world, and protests the decision. Bruno's father is angry at the interference and soon takes him away to work for the summer and they do not see each other again for some time.
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